Peonies & Pearls

prose & poems


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intimacy

there is a kind of intimacy
that has nothing to do with being touched.

it begins much later than desire.

after the first kiss.
after the body has learned another body.
after the room has gone quiet
and there is no music left
to hide inside.

it begins
when someone stops performing.

when the practiced smile disappears.
when the clever answer does not come.
when the strongest person in the room
finally lets the silence
show where it hurts.

most people only meet
the version of someone
that survives daylight.

the composed one.
the capable one.
the one who knows how to speak evenly,
laugh at the right time,
carry pain
without letting it spill
onto the floor.

but there are rooms inside a person
the world is never invited into.

rooms with locked doors.
old photographs.
unsaid names.
half-healed wounds.
stories folded so carefully
they almost look like peace.

to be allowed there
is not romance
in the simple sense.

it is heavier than romance.

it is standing
in the dim light
of another human being’s hidden life
and realizing
how much it cost them
to become soft again.

there is something almost unbearable
about that kind of closeness.

the tenderness behind the armor.
the fear beneath the strength.
the quiet tremble
of someone who wants to be known
but has learned
that being known
can become dangerous
in the wrong hands.

real intimacy
is not always warm.

sometimes it feels like candlelight
in a room full of old ghosts.

soft.
beautiful.
a little haunted.

it is seeing the parts of someone
that were never meant for an audience

and not mistaking access
for ownership.

it is understanding
that vulnerability
is not a performance.

it is a door opening slowly,
with shaking hands,
after years
of being locked
from the inside.

and the rarest kind of love
is the kind that knows
what to do
when it is allowed in.

it does not rush to fix.

it does not turn confession
into power.

it does not make a home
inside someone’s wounds.

it simply stays gentle.

because being trusted
with another person’s hidden world
is not a small thing.

it is not casual.
it is not ordinary.
it is not something
to consume
and forget.

it is a privilege.

the kind that should make someone
quieter.

more careful.

more reverent.

because when a person lets
the guarded parts of themselves
be seen,

they are not asking to be saved.

they are asking,
without saying it,

whether softness can exist here
without becoming
another place
where pain enters.

and sometimes
that is the most intimate thing
in the world.

not being desired.

not being needed.

but being seen in the dark

and still handled
with light.

new pieces, as they are written

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